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Turkey
From Anatolia to the Republic
Artist: Gheorghe Virtosu
Catalogue: Art of the World
Catalogue Nr: 233/249
Source of Print: Excerpt from Divine DNA, 2016 (oil on canvas)
Medium: Limited Edition Print
Edition: 1/1
Authentication: Approved and signed by the artist on the reverse.
Artwork Classification: Civilisational Portraiture
Part of Art of the World, an El Arte Monumental project exploring contemporary art, cultural identity and visual memory.
Description
The composition's intense crimson is interwoven with substantial passages of textured white, creating a powerful visual concentration. Curving bands, enclosed ovals and elongated vertical forms repeatedly divide and reconnect the composition, while pale blue and cream provide restrained accents. Dense impasto strengthens its physical presence, and detached elements animate the surrounding white space. The layered geometry suggests continuity through transformation, evoking a cultural memory shaped by successive historical formations while retaining a strong internal coherence.
Cultural Context
Turkey spans Anatolia and eastern Thrace at a historic meeting point of the Mediterranean, Black Sea, Balkans, Caucasus and Middle East. Its landscape preserves Hittite, Greek, Roman, Byzantine, Seljuk and Ottoman histories. Following centuries of Ottoman rule, the Republic of Turkey was founded in 1923 under Mustafa Kemal Atatürk, introducing extensive political, legal and cultural reforms.
Turkish culture reflects long interaction among Turkic, Anatolian, Balkan, Caucasian, Kurdish, Armenian, Greek and other traditions. Ottoman architecture, calligraphy, ceramics, miniature painting, carpets and kilims, poetry and music form an exceptional artistic inheritance. Modern literature, cinema, visual art and design continue to extend this cultural conversation.
Exhibition Context
Several red eyes, beaks and white spaces crowd into one rounded body, so that a single figure keeps becoming a group. Turkey's Byzantine, Seljuk and Ottoman inheritances precede the republic; the overlapping profiles make accumulated histories visually plausible without making them interchangeable. The red field echoes the flag, while its white openings do more than supply contrast: they let alternative bodies appear. The work reads as a lively, contested visual memory rather than a compressed lesson in succession.